Aaron Venture Infinite Brass v1.6

Salepage : Aaron Venture Infinite Brass v1.6
Archive : Aaron Venture Infinite Brass v1.6 Digital Download
Delivery : Digital Download Immediately

10.9 GB

Infinite Brass is a collection of next-generation virtual brass instruments that allow you to play any line exactly as it sounds in your head – right on your keyboard with no keyswitching – and authentically render your performance in one of three different spaces with a fantastic, clean, modern sound.

Make your own bands out of 29 different instruments and 13 different mutes. 58 locations enable you to design any configuration you wish, whether you like a more concentrated sound for concert performances or a wide sound for film music. Infinite Brass has three regular locations: the warm Mozarteum, the boisterous Bersa Hall, and the desert Studio. Convolution is used to create the environment in real-time, using customised impulse responses particular to each location and space, guaranteeing that the ambience always appropriately represents the performance. Because phase-aligned samples are used, there are no noticeable cross-fades between the layers; the response is smooth, melodic, and lifelike.

Infinite Brass contains one of the most extensive brass instrument ranges on the market, as well as a consistent dynamic range for all instruments spanning from ppp to fff. Vibrato, flutter, and grumble are all playable on all instruments, even all three at the same time.

Infinite Brass was chromatically sampled at 48 kHz/24-bit. Despite having all of the features described, these instruments are among the lightest you’ll ever use, weighing only 14.0 GB and using only 50 MB of RAM per instrument.

THE ENTIRE ARSENAL
Everything from symphonic to big band is included. You’ll have access to 29 instruments, ranging from soaring piccolo trumpet to earth-shaking contrabass tuba and raspy cimbassi. Make any configuration you wish. Combining different mutes in a line yields an endless variety of color combinations.

What’s new in INFINITE BRASS 1.6?
Infinite Brass has received yet another important upgrade. There are no new instruments this time, but there are improvements to the quality of life, new workflow compatibility features, sound refinements, new mics, legato enhancements, and more.

Microphones of the Future
All horn positions now have access to the instrument mic. Instrument microphones are excellent for bringing up detail in horn lines. A single one in a huge horn ensemble will draw attention. Previously only accessible in the soloist position (where it replaced the conventional Close mic in terms of distance), the interface now lets you to move between Close and Inst mics with a single click. It will even work with Mixed Mic turned on since the instrument will move to a different set of mic mixes.

Reviving the Low Brass
With practically every other instrument receiving some TLC, now is the time to tighten up the ‘bones.
The term “independent” refers to a person who does not work for the government. This low-mid stuff makes it sound full, but if you’re not careful, it can easily clog up your mix, so I’d find myself in a situation where I needed it to sound cleaner but couldn’t do anything without negatively impacting the overall tone of the instruments, and based on your feedback, you felt the same way. Simply add an external reverb, EQ off the highs, then tune it in to bring it back in.

The pitch behavior engine has also been enhanced, so trombones will sound more natural in the lower registers. As a result, the sound of a low brass ensemble playing in unison improves dramatically. This can also be heard in trumpets and horns.

Improvements and bug fixes
All instruments have gotten a legato improvement in version 1.6. Legato has been streamlined based on user feedback to improve the user experience, and it now sounds better on horns and trombones.

The Pitch Bend collection is now available for purchase. Keep in mind that the instruments are still sample-based, so as you bend more, the quality will decline.
The samples are stereo by default. This was done to compensate for the static nature of impulsive reactions. Mono Compatibility will convert the instrument to single-channel mode, enhancing correlation when using near mics in exchange for a slightly more static stereo image.

Close mic panning will now more dependably follow the instrument’s position. The stereo image of the trumpets was also upgraded, resulting in more clarity.
Two bug solutions worth highlighting are note-off handling, which minimizes the possibility of hanging notes occurring when playback is paused, and the phasing issue. Some users noticed completely random phasing issues with 1.5, which have already been fixed.

More from Categories : Everything Else